💡 Die LTX-Prompt-Formel
Wenn du diese Formel nutzt, schreibst du fast automatisch den perfekten Prompt:

[Kamera-Einstellung] + [Subjekt-Beschreibung] + [Start-Aktion] + [Überleitung/Kamerabewegung] + [Haupt-Aktion mit Details] + [Licht/Stil-Keywords]

Ein kurzes Beispiel (Basierend auf deinem Gonso-Projekt):
Schlecht: Gonso kocht Kaffee und trinkt ihn.

Besser (LTX-Style): Medium shot, 16:9, handheld camera. A stylized 3D character with a white cap stands in a kitchen. He slowly picks up a steaming ceramic mug. 
The camera zooms in as he takes a sip, and steam rises into the air. Realistic textures, 4k, cinematic lighting.








Handheld smartphone footage, 16:9 aspect ratio, slightly shaky camera movement. >
The scene starts with a medium shot of Gonso, a 3D stylized character with a beard, black glasses, 
a white cap with "350" on it, and a white t-shirt that says "KOSTA", standing against a plain background. 
The camera quickly zooms in to a close-up of Gonso's face. He looks directly into the lens and speaks the German words: "Ich gehe schnell die Vase gießen." >
Immediately after speaking, the camera zooms out to a wide shot, revealing a wooden table on the right side of the frame. 
On the table sits a glass water pipe (bong), an ashtray, and small green cannabis buds. Gonso walks toward the table, leans in, 
and picks up the bong. He places it to his lips and takes a long, powerful hit. He then exhales a thick, dense cloud of white smoke 
toward the camera and begins to cough uncontrollably, his shoulders shaking with the effort. Realistic lighting, 3D render style, high detail.

low quality, blurry, distorted, deformed, extra limbs, extra fingers, mutated hands, bad anatomy, morphed face, inconsistent character, changing clothes, flickering, jittery movement, watermark, text, signature, low resolution, grainy, static image, no motion, cartoonish (if aiming for the 3D look), 2D, flat shading, floating objects, glitched textures.


A casual handheld smartphone video with slight camera shake, filmed from above like from a balcony.
A relaxed man is standing on a paved outdoor area during daytime. The camera has natural hand jitter, small framing corrections, and autofocus breathing.
From the right side of the frame, a tall, slim west coast style hip hop artist with braids and sunglasses walks into the scene. He has a laid-back, confident presence.
The camera slightly adjusts to follow him.
He approaches the man, looks at his shirt, nods approvingly and says in a smooth west coast slang tone:
"Yo, that shirt clean as hell, homie. I see you."
He casually hands the man a small rolled item in a friendly, effortless gesture.
The man reacts surprised and happy.
The artist continues walking and exits the frame on the left side.
The camera slightly lags behind, then recenters. A quick handheld digital zoom-in follows.
The man looks into the camera with a big grin. His voice is slightly deeper, relaxed, and excited. He says in German:
"Alter… der Typ hat mir gerade einfach sein weed geschenkt, wie fett ist das denn?!"



Style:
smartphone footage, handheld, slight shake, rolling shutter, natural lighting, realistic motion, casual framing, subtle motion blur, authentic street vibe

Audio style:
natural phone microphone recording, slight background noise, wind ambience, voice slightly compressed, realistic distance

Voice characteristics:
- rapper: smooth, laid-back, slightly raspy voice
- man: deeper voice, warm tone, slightly amazed and amused




An action packed, cinematic shot of a monster truck driving fast towards the camera, the truck passes the cameras it 
pans left to follow the trucks reckless drive. dust and motion blur is around the truck, hand held feel to the camera 
as it tries to track its ride into the distance. the truck then drifts and turns around, then drives back towards the camera until seen in extreme close up.




A warm sunny backyard. The camera starts in a tight cinematic close-up of a woman and a man in their 30s, facing each other with serious expressions. The woman, emotional and dramatic, says softly, “That’s it... Dad’s lost it. And we’ve lost Dad.”
The man exhales, slightly annoyed: “Stop being so dramatic, Jess.”
A beat. He glances aside, then mutters defensively, “He’s just having fun.”
The camera slowly pans right, revealing the grandfather in the garden wearing enormous butterfly wings, waving his arms in the air like he’s trying to take off.
He shouts, “Wheeeew!” as he flaps his wings with full commitment.
The woman covers her face, on the verge of tears. The tone is deadpan, absurd, and quietly tragic.


INT. OVEN – DAY. Static camera from inside the oven, looking outward through the slightly fogged glass door. Warm golden light glows around freshly baked cookies. The baker’s face fills the frame, eyes wide with focus, his breath fogging the glass as he leans in. Subtle reflections move across the glass as steam rises.
Baker (whispering dramatically): “Today… I achieve perfection.”
He leans even closer, nose nearly touching the glass.
“Golden edges. Soft center. The gods themselves will smell these cookies and weep.”
Baker: “Wait—”
(beat)
“Did I… forget the chocolate chips?”
Cut to side view — coworker pops into frame, chewing casually.
Coworker (mouth full): “Nope. You forgot the sugar.”
Quick zoom back to the baker’s horrified face, pressed against the oven door, as cookies deflate behind the glass. Steam drifts upward in slow motion.
pixar style acting and timing



NT. DAYTIME TALK SHOW SET – AFTERNOON
Soft studio lighting glows across a warm-toned set. The audience murmurs faintly as the camera pans to reveal three guests seated on a couch — a middle-aged couple and the show’s host sitting across from them.
The host leans forward, voice steady but probing:
Host: “When did you first notice that your daughter, Missy, started to spiral?”
The woman’s face crumples; she takes a shaky breath and begins to cry. Her husband places a comforting hand on her shoulder, looking down before turning back toward the host.
Father (quietly, with guilt): “We… we don’t know what we did wrong.”
The studio falls silent for a moment. The camera cuts to the host, who looks gravely into the lens.
Host (to camera): “Let’s take a look at a short piece our team prepared — chronicling Missy’s downward path.”
The lights dim slightly as the camera pushes in on the mother’s tear-streaked face. The studio monitors flicker to life, beginning to play the segment as the audience holds its breath.


Pinocchio is sitting in an interrogation room, looking nervous, and slightly sweating. He's saying very quietly to himself "I didn't do it... I didn't do it... I'm not a murderer". Pinocchio's nose is quickly 
getting longer and longer. The camera is zooming in on the double sided mirror in the back of the room, The mirror is turning black as the camera approaches it, and exposes a blurry silhouette 
of two FBI detectives who stand in the dark lit room on the other side. One of them is saying "I'm telling you, I have a feeling something is off with this kiddo



The young african american woman wearing a futuristic transparent visor and a bodysuit with a tube attached to her neck. she is soldering a robotic arm. she stops and looks to her right as she hears a suspicious 
strong hit sound from a distance. she gets up slowly from her chair and says with an angry african american accent: "Rick I told you to close that goddamn door after you!". then, a futuristic blue alien explorer with 
dreadlocks wearing a rugged outfit walks into the scene excitedly holding a futuristic device and says with a low robotic voice: "Fuck the door look what I found!". the alien hands the woman the device, she looks down at it 
excitedly as the camera zooms in on her intrigued illuminated face. she then says: "is this what I think it is?" she smiles excitedly. sci-fi style cinematic scene


Cinematic action packed shot. the man says silently: "We need to run." the camera zooms in on his mouth then immediately screams: "NOW!". the camera zooms back out, he turns around, and starts running away, the camera tracks his 
run in hand held style. the camera cranes up and show him run into the distance down the street at a busy New York night.



The camera opens in a calm, sunlit frog yoga studio. Warm morning light washes over the wooden floor as incense smoke drifts lazily in the air. The senior frog instructor sits cross-legged at the center, eyes closed, voice deep and calm. “We are one with the pond.” All the frogs answer softly: “Ommm...” “We are one with the mud.” “Ommm...” He smiles faintly. “We are one with the flies.” A quiet pause.
The camera slowly pans to the side — one frog twitches, eyes darting. Suddenly — *thwip!* — its tongue snaps out, catching a fly mid-air and pulling it into its mouth. The master exhales slowly, still serene.
“But we do not chase the flies…”
Beat. “…not during class.” The guilty frog freezes, then lowers its head in visible shame, folding its hands back into the meditative pose. The other frogs resume their chant: “Ommm...” Camera holds for a moment on the embarrassed frog, eyes closed too tightly, pretending nothing happened.


A warm, intimate cinematic performance inside a cozy, wood-paneled bar, lit with soft amber practical lights and shallow depth of field that creates glowing bokeh in the background. The shot opens in a medium close-up on a young female singer in her 20s with short brown hair and bangs, 
singing into a microphone while strumming an acoustic guitar, her eyes closed and posture relaxed. The camera slowly arcs left around her, keeping her face and mic in sharp focus as two male band members playing guitars remain softly blurred behind her. Warm light wraps around her face 
and hair as framed photos and wooden walls drift past in the background. Ambient live music fills the space, led by her clear vocals over gentle acoustic strumming.


An animated cinematic shot. a robot, walks slowly, the camera dollys back and keep the robots slow walk in a medium shot. the robot start running slowly and heavily. it then stops, and the camera keeps dollying back, until a blue similiar robot appears in an over the shoulder shot.